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c. 1445 – May 17, 1510. Italian painter.

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Bihzad
Building ot Castle Khawarnaq,wherein the chamber of the seven icons will be hidden

ID: 34120

Bihzad Building ot Castle Khawarnaq,wherein the chamber of the seven icons will be hidden
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Bihzad Building ot Castle Khawarnaq,wherein the chamber of the seven icons will be hidden


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Bihzad

the period of 1465-153 Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.  Related Paintings of Bihzad :. | Caliph al-Ma-mun in his bath | Sikanar overcomes the Hosts of Dara | Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna | Mahan s diabolic horse | King Darius and the Herdsman |
Related Artists:
Larkin, William
British Painter, ca.1580-1619
Max Buri
1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content.
Bonaguida, Pacino di
Italian, active 1303-1330






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